Over the past 20 years two types of spaces have come to dominate the display of art:
1. The "pristine white room", representing the view that the display of art is best served by an absence of context.
2. The ëappropriated backdropí: often old industrial remains, which are to provide "added drama" to the artwork.
We propose a new conceptual framework that accommodates both the museum's traditional function and incorporates the additional roles and expectations the museum has acquired. We imagine a museum in 3 parts, in the form of a complete dependency with a maximum interface between them.
We imagine a museum with the 2 spaces described above and a new one, where you use the best advances of technology to absorb and interact in real time with other nationalities' culture centers in a collective and not passive way. It's an immersive experience that allows people to be in different places exchanging culture, opinions and experiences in real time.
Over the past 20 years two types of spaces have come to dominate the display of art:
1. The “pristine white room”, representing the view that the display of art is best served by an absence of context.
2. The ëappropriated backdropí: often old industrial remains, which are to provide “added drama” to the artwork.
We propose a new conceptual framework that accommodates both the museum’s traditional function and incorporates the additional roles and expectations the museum has acquired. We imagine a museum in 3 parts, in the form of a complete dependency with a maximum interface between them.
We imagine a museum with the 2 spaces described above and a new one, where you use the best advances of technology to absorb and interact in real time with other nationalities’ culture centers in a collective and not passive way. It’s an immersive experience that allows people to be in different places exchanging culture, opinions and experiences in real time.
